The Belgian artist-photographer Filip Dujardin recovers the art of collage between reality and fiction, to create a new language based on the modernist architectural tradition.

People often expect Dujardin’s “buildings” to be undiscovered pieces of Eastern European or Russian constructivism – while in fact, they only exist in Dujardin’s prints. They are the result of his scouting trips around Belgium, where he collects the occasional moment of often fairly conventional 20th-century structures, and then uses them as digital matter from which to collage his buildings.